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Harmony Central Winter NAMM 2001 Coverage
Anaheim, California: January 18-21
Winter NAMM Home | User Picks | Picture Gallery | Complete Coverage
Guitar/Bass | Keys, Synth, Samplers / DJ | Software | Recording / Live Sound | Drums & Perc | None

HOT PICK
Korg KARMA Music Workstation

Variable Performance Modeler. List: $2,250

by Marvin Sanders
January 23, 2001

Higher. Faster. Louder. Cheaper (oh, excuse us ... "less expensive"). Most product lines follow an almost unavoidable trajectory triggered by the very first spec sheet. That's why we like to award HC Hot Picks to gear that breaks the mold. Korg's KARMA Music Workstation qualifies....

Not satisfied with just a cool name, Korg attached an eponymous acronym to the new KARMA technology: Kay Algorithmic Realtime Music Architecture, named after Stephen Kay, the musician/programmer who has worked seven years on its development (and who actually owns the patent).

In a nutshell, KARMA takes riff- and arpeggiator-based music to a new level. At the technology's heart is something called a Generated Effect (GE), which controls how note data from the keyboard is developed. GEs allow realtime control of almost 400 parameters including elements like harmony, scale, ad-lib/humanize, rhythm randomization and complexity, phrase variation, tone, pan, effects, pitch bend, pitch change, volume, velocity, duration, MIDI control changes, and MIDI delay/repeat.

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KARMA provides over 1,000 GEs organized in 17 categories, and you can control 16 parameters in real time using front-panel knobs and switches. Two available "scenes" allow controller settings to be saved for instant recall, and four Chord buttons can trigger complex voicings.

At its most banal, KARMA sounds like an auto-arranger on acid, helping the player strum guitar, lay down some funky grooves, that kind of thing. (Actually, it should be noted that if you're looking for a straight-ahead auto-arranger, KARMA is not your axe -- its feature set isn't intended to address that audience.) But we like the, uh, dark side of KARMA, where manic players diddle the keyboard and twiddle the knobs, creating an interactive synergy of raw, pulsing, crazy soundscapes and timbral flurries to make your head spin.

Fortunately, even if mania isn't your thing, KARMA is built on Korg's beloved Triton sound engine, with tons of programs and combis available, a powerful effects rack (102 algorithms), and a 200,000-note sequencer. It's also expandable, holding up to two EXB-PCM expansion boards and the EXB-MOSS synth board.

KARMA's not for everybody, but if you're looking for a new approach to musicmaking and are willing to commit some time to wrapping your head around the possibilities, this keyboard may be the gift that keeps on giving, and giving, and giving....

For more information, visit www.korg.com.

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