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127th AES Convention Coverage (New York, NY Oct. 9-12)
PRESS RELEASE
S400 Series Precision Passive Loudspeakers
January 26, 2006
Advertisement At this year's NAMM show, Mackie showed a new family of passive loudspeakers that utilize design techniques originally developed for large-format touring systems to deliver greater pattern control and sonic performance than is currently possible with traditional two-way loudspeaker designs. "It's not that a narrow dispersion isn't a good thing, sometimes it's exactly what you need," commented John Boudreau, Live Sound Product Manager for Mackie. "However, many applications call for a much wider dispersion pattern than traditional two-way boxes can provide. This is why the technique of arraying multiple two-way boxes in larger venues is so common. It's the most efficient method of getting both effective coverage and great sound." Boudreau continued, "With the S400 our goal was use design techniques originally developed for high-end touring systems to get both from one loudspeaker. And since EAW and Mackie are both part of LOUD Technologies, we had access to some of the best touring loudspeaker designers in the world. Tetrad Technology is the result of this collaboration and the S408 and S410s subwoofer are the first Mackie products to incorporate it." About Tetrad Technology and the S400 Series Loudspeakers: Additionally, since four smaller drivers have a quicker attack (transient response) than a single 15-inch woofer, they can be made to deliver a much tighter and focused low-end with a great deal more impact. As such, this quad driver design is applied to both the S408, which features four 8-inch woofers, and the S410s Subwoofer, which features four 10-inch woofers. Pattern control for the S408 was further enhanced when spacing of the four 8-inch woofers was calculated so that the polar pattern of the drivers matched the polar pattern of the horn at the crossover—both horizontally and vertically. This consistency is important because when sound radiates from a loudspeaker, listeners will typically hear the direct sound first; then they'll hear the energy that is reflected back from the room. If the low-frequency directivity is wide, and the high frequency directivity is narrow, there will be a lot more reflected low-end, which results in a "muddy" tone. Careful attention to detail has eliminated this anomaly in the S408. The Big Horn: Taken together, the spaced woofers and central horn allow for a horizontally and vertically symmetrical design. This means that the off-axis frequency response is the same on one side of the S408 as it is on the other. This is particularly useful when the S408 is used as a stage monitor. As the performer moves, the sound remains the same. Top-Notch Construction and Versatile Array Options:
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